An Introduction to Choreographer Robbie Synge

17 Sep 17 Blog 0

An Introduction to Choreographer Robbie Synge

Robbie Synge is a choreographer based in the Highlands, and at 37 years old, he is supporting over over 50s Flames in their workshops. Here’s his experience with our fabulous Flames!

“I was invited by Fiona at Tricky Hat Productions to lead a workshop with The Flames with a view to the material we generated being part of a performance at the CCA. Being a choreographer, our future audience. All in a very short time! Actually, in the end we tended to devise a number of instructions or scores that the group would work with rather than set choreography. This means that what The Flames perform and what the audience discover should be very live. There are a lot of decisions being made in the moment, which we think is exciting.”

Do you think that there is a demand for a theatre group for over 50s?

“In my experience there have sometimes been waiting lists for these opportunities. So, yes definitely! I think also that the idea of participating in theatre or performance may not be an obvious option for many people around this age. It’s not necessarily on the agenda but there’s no reason why it shouldn’t be. As a maker, I have found the degree of energy and openness of older participants often to be surprising and I am always inspired by what they bring to creativity and performance.”

Do you feel that over 50s are offered enough opportunities to get involved in the arts?

“In general, probably not, and I think the emphasis is understandably on younger people. There are so many ways we might mix and collaborate and understand each other in different ways through different activities. I think arts offers endless scope for this.”

Don’t miss your chance to take part first-hand in what The Flames are doing, at the CCA in Glasgow on October 4th. More information here.

29 Jul 17 Blog 0



Qu’est ce que je voudrai dire a mon petite meme?

Fait attention aux petits moments precioux de la vie:
La souriere de ta mere quand elle chante pour tois
La voix de ton pere quand it explique quilque chose d’imporance
Les main de tes amis
Les cadeaux des tauntes et des oncles
On crois que cette personne sera toujour la.

Mais les anne passe, et nous serons independent, et modern – et nous prendrons nouveaux amis

Fetes en gardes, Penelope
Par ce qu’un jour on peut trouve seule – avec jusque ces memoires.

There are faults in the French I know, but it is written as the words flowed into my mind and does not ask to be corrected.  I feel proud of myself for having written it, and grateful for the Workshop that inspired it.

I had been invited to join the second group of The Flames, a creative experience for the over 50’s envisaged and developed by Tricky Hat under the guidance of Fiona Miller.  I had seen their first presentation last September and was keen to get involved.   I had no idea how it would help me, but help I needed after three years of loss, illness and re-assessment of the life I had known.

During the first ‘getting to know you’ session I was paired with Georgie, a vibrant, colourful and pretty lady who remembers upstaging a drag artist at a very posh event by wearing an identical glamourous evening dress.  We had to introduce ourselves with three facts, which could be true or false.  I said I was half French (partly true), a retired G.P. (false) and owned a red 2-seater car (very true).   Georgie then introduced me to the rest of the group as: ‘this exotic French woman with the dashing red sports car’.  Fiona’s response was immediate: “from now on, Pene, I would like you to speak only in French.  I don’t mind if it is correct or nonsense, but that is your remit”

So, I did.  It was supremely freeing, it was funny, and it connected me, in a way I can’t explain, to the work we were undertaking: Working on Memories.

This could have been seriously emotional and heavy, but was nothing of the kind.  Each member’s memory triggered one of our own in a fairly random fashion, so that they came out spontaneously and movingly, and with the extremely clever direction of our Mentor, and the support of three talented musicians, we were gently turned into an all-female performance group whose work was based on reality and personal experience, with a naivety of presentation giving the end product a creative rawness which was captivating for our audiences and totally rewarding for ourselves.

My poem was triggered by the death of my youngest daughter, followed by 5 senior members of my close family in 2014/15, and then that of a very dear friend this January.  I have learnt it by heart, and it springs readily into my mind at odd moments, like this evening, when I walked into the park as the light was fading to hear the last birdsongs of the night settling themselves into rest in the hope of a better tomorrow.

This is what The Flames and Tricky Hat have done for me, and I am so grateful.

And this is what I was trying to say:

What would I like to say to my younger self?
It would be:

Pay attention to the precious little moments of life:
The smile of your mother when she sings to you
The voice of your father when he tells you something important
The hands of your friends
The presents of aunts and uncles

We think these people will always be there.

But the years pass by, and we become independent, modern and take new friends.

Beware, Penelope
Because one day you might find yourself alone with only these memories

Pene Herman-Smith – Flames Participant

April 2017

Catching Fire: Betty Skelton
28 Jul 17 Blog 0

Catching Fire: Betty Skelton

Since taking early retirement a few years ago I have been able to enjoy some of the many opportunities on offer to keep us ‘old dears’ off the streets and out of mischief. I have been thoroughly enjoying myself while developing the creative ‘me’ whenever I find something of interest.

The Flames intrigued me. Rehearsed improvisation and guerilla workshopping were new to me.

I was curious so I went along to the introductory afternoon with no expectations, fully prepared to walk away if it wasn’t for me particularly as I was already rehearsing for another, intergenerational performance at the time.

I am still not sure how it works but I can honestly say I have never had so much fun with a group of strangers as I did on this project. Over the course of 6 sessions we laughed, we cried, we shared our stories, hopes and dreams, we sang, we played, we moved, we left our inhibitions at the door and it was wonderful.

Much of the success was due to Fiona Miller, artistic director, warm human being and creative genius as well as to the fabulous team she assembled. So much so that, as the weeks passed and we still had no real idea what the actual performance would look like, we were neither stressed nor worried because Fiona said it would be fine.

It was better than fine. It was amazing.  We ladies shared something special on that stage … we shared ourselves and the audience liked what they saw.

I loved being part of it.


Betty Skelton – Flames Participant