The Flames @ Cove Park 2022

The Flames @ Cove Park 2022
10 Feb 22 Blog Comments Off on The Flames @ Cove Park 2022

The Flames @ Cove Park 2022

A Firebrand Residency

Tricky Hat artists took a group of 15 Flames to do a week-long residency at Cove Park (Argyll). This is our second Firebrand Residency there and the first one since the pandemic happens. Marianne, Flames participant, reflects on her time there. 

We arrived on a grey Thursday afternoon. High on a windswept hilltop, the fog-coloured building mimicked the surrounding mountains with its sharply angled roofs. Below, the pewter coloured loch lay deep and foreboding. A storm was forecast, and brewing just beyond the headland.

We arrived wearing our winter clothes and with our proof of recently completed negative Covid test results. Some of us had been here before, in the Old World, in the days before masks… and when social distancing was something teachers ensured was adhered to when teenagers partnered up to dance at Christmas discos in the school assembly hall. There was a sense of cautious anticipation. Inside the building, the log fire burned a welcoming glow, matched by the warm smiles of the artistic team. We were greeted and given instruction on protocols to be followed to keep us and our companions Covid safe and then installed in our various accommodation. I unpacked and wrote the following;

Smallest space, its all you need

The silence is enfolding.

Create, perform, reflect and read

Make every moment golden.

Then it was off back up the hillside to the artist’s centre to start enjoying these golden moments.

Over the following days we developed the ideas stimulated by the stories we had been asked to bring with us to share with the group. We took part in percussion/hand clapping/ movement workshops, and voice work (which had the strange and unexpected effect of bringing the sheep outside the building closer to the building to stare at us through the window. Fittingly, at this time of Burns Night, we had in actual life “called up the ewes”)! Day two saw us work on and develop skills such as self- filming and self -recording, and gave us time to work on and present a site-specific performance or installation based on the setting and the ideas explored in the workshops.  All this was fuelled by the most delicious food prepared on a rota-basis by the participants and artistic team. There was a whirl of creative activities to take part in, balanced with down time, which some of us used to rest while others made the most of the many walks available from the door of the artist’s centre. There was time for reflection too, and the atmosphere was one of support and encouragement. One of us was reduced to tears of happiness.

The final night, this being January, was the perfect time for an impromptu Burns Supper in true Flames style. Fuelled by haggis, neeps, tatties, cranachan (and a small libation of the water of life) we sang, recited, laughed and enjoyed the company around the log fire which burned hot and bright with logs imbued with our wishes for a better, kinder world. It might have been a grey, zinc coloured day when we arrived, and the storm outside may have perfectly reflected our anxieties about being together in a group after so long in isolated lockdown over the past two years, but the expertise of the artistic team, coupled with their acceptance and encouragement and that of the others attending, made certain that the storms of our anxieties subsided. The first signs of light and hope, like the rainbows which appeared frequently over the loch, or the clear starlit skies which guided us to our accommodation on that last night, were  ignited by this band of artists high on a rainswept hillside in the late January of a Scottish winter.

On the hillside, stormy morning

Nearly blown right off my feet

In the Centre, coffee’s brewing

Welcoming, and dark and sweet

Pelting rain obscures the mountain

River churns like boiling oil

Twigs and branches snap and drop

The wind whips up, and I recoil

Head down, steadfast, just keep moving

Up the hill and always forward

We have triumphed in the tempest

Stars and rainbows our reward.

 

Marianne (Flames participant)

The Houses and History in Partick East and Kelvindale
31 Aug 21 Blog Comments Off on The Houses and History in Partick East and Kelvindale

The Houses and History in Partick East and Kelvindale

Nowadays, we say that “People Make Glasgow”– but, in the nineteenth century, it was shipbuilding and heavy industry that made the city. Glasgow grew rapidly during that period. But with the shipbuilding and heavy industry came a connection to slavery.  In the city centre, streets and buildings are named after the tobacco lords and industrialists who traded in the city. In recent years, the local authority has properly acknowledged Glasgow’s links to the slave trade. And many of these industrialists actually lived across Partick East and Kelvindale during the 19th Century. We caught up with local Community Councillor, Lionel Most, to learn more about the history behind the houses in Partick East and Kelvindale and this area’s ties to world-renowned industries as well as the American Civil War.

Hyndland

Benvue

Located at 4 Sydenham Road, this house was formerly owned by James Smith. James Smith came from very small beginnings.  He started off as a tinsmith from an ordinary family, and he worked in a factory. Then, he went to New York and was inspired to make his fortune. After living there for a while, he came back to Glasgow and started up an iron works. The interesting thing about him – and this was not uncommon of other Glaswegians at the time – was that he became friendly with the Confederates during the American Civil War. The American Civil War was mainly about slavery: the Confederates wanted to retain slavery, and the Yankees in the north wanted to abolish it. The American Civil War started when the Confederates tried to secede (illegally) from the Union. Queen Victoria had stated that the UK was not getting involved in that war but secretly, the Scots were supplying ships, iron and so on to the Confederates. In fact, there was a shipyard on the Clyde that designed a special kind of boat which would have been used by the gun runners, the people in the South who acquired weapons from Third countries. These ships that the Scots built were able to move incredibly fast and could escape the Yankees chasing them. Through being able to do this, the Scots were able to charge a very high price! And James Smith of Benvue, although he wasn’t a ship builder, owned two iron works: one in Glasgow and one in Kentucky. Although he was supplying raw materials; he was neither supplying weapons nor ships. 

James Smith became friendly with the Confederate government.  Jefferson Davis was the President of the Confederate States and went to prison after the American Civil War.  After this he visited Scotland, and, in fact, there is a famous picture of Jefferson Davis sitting outside Benview with James Smith and his family. Smith and men like him made their money on the back of slavery. Apparently the average life expectancy of female slave was around 37, and 35 for a male. While these lovely houses in Dowanhill were perhaps built from indirect slave profits, we should not be destroying them but I do think we should be telling people where the money came from. 

Ayton House

Ayton House built in 1859, was owned by William Tod, who was a ship builder. In the 1850s his workers would have been very poor. At the turn of the twentieth century and onwards many of these shipworkers would have lived in the flats in Partick and many of these were small single ends or rooms and kitchens. Ayton House was bombed during the Second World War, severely damaging the roof. At that time there was a lack of building materials.  They had to ‘make do and mend’ and replace the original tiled sloping roof with a flat roof. Then, in the 1980s, a developer converted the house into flats. It is a tasteful and modern style now. There is a penthouse roof with balconies. 

Richmond House

Richmond House in Linfern Road was demolished about 50 years ago.  It is now a telephone exchange. The whole street on the left-hand side is taken up with a telephone exchange. That area used to accommodate one house, with stables and grounds and outhouses. It was built, in the early 19th century by an iron founder called David Laidlaw. He lived there with his family. Given the rate of housing development in the west end, I would wager that it will be pulled down and be replaced by housing in the not too distant future

Hyndland Tenements

Hyndland was a tenanted farm before it was developed. Around 200 years ago, nearby Kelvinside and Dowanhill were landed estates with farmlands attached to them before they were developed. Hyndland wasn’t a particularly big area. Building started there in the late nineteenth century with Kingsborough Gardens, a substantial row of houses just behind the shops at Hyndland Road. Then, there was a recession and property prices fell and nothing really happened until the early 1900s, when the railway came. Once the railway came, Hyndland was developed.  Some of the flats there were small but others were fantastic, with five or six rooms. You used to be able to get a direct train to King’s Cross Station in London from the Station in Hyndland. You can imagine the people who lived in the big mansions leaving their houses, walking to this station to catch the train, doing their business in London over the following days, and then getting the train back to Hyndland a few days later. 

If you walk to the foot of Clarence Drive and Novar Drive, there are smaller one-bedroom flats, but they all have bathrooms unlike some parts of the city where flats were built with outside toilets. At the northern end of these streets the tenements are far grander, bigger and much more expensive. And in some of these grander blocks there was a common telephone. You could have your own telephone (shared with neighbours). It would, I think, have been a payphone, one of those old-fashioned ones you see in the old black and white films, where they put one part to their ear and a mouthpiece by their chin. There are at least three of these boxes in various tenements in the area.  The telephone has been taken away, but the little box remains there. I don’t know what they use it for now.

Kelvindale

Kelvinside Estate

Kelvinside is the area just north of Great Western Road. It was originally one of the landed estates. Someone who owned one of the big houses in Kelvinside was James Brown Montgomerie-Fleming. When I was young, I remember there was a law firm called Montgomerie-Fleming and Fyfe. They were connected to the owners of Kelvinside. Their biggest client was the Norwich Union Insurance Company. They had a very successful business, but then they were subsumed into another firm in the nineties. James Brown Montgomerie-Fleming owned the Kelvinside estate, and he sold parts off for the big terraces on Great Western Road, and also for plots for grand houses. He actually was not that successful in selling them off, but he himself lived in a beautiful house called Beaconsfield House, with the Italian tower on it. That became part of Westbourne School. The school has since sold it and it has been, like so many of the other houses in the area, converted to flats.

Arnewood 

Summerlee was an ironworks in Coatbridge and is now a museum. The owner of Summerlee lived in Arnewood on Cleveden Road. It is very large and sits on the right-hand side of Cleveden Road walking north from Great Western Road. It has four or five storeys and looks like a castle! It used to be the home of one family, housing their servants also.  Again, it has been converted into flats. 

Lowther Terrace 

In Lowther Terrace there are some beautiful terraced houses which were, I think, built around 100 years ago. The owners in this street have applied to the Local Authority to stop up the road in front of their houses to make the road private.  They have installed bollards at the entrance to the road only to allow residents and visitors’ vehicles.  They have also erected some tasteful Victorian lampposts containing a power point so that they can charge the battery in an electric vehicle.  This installation of charging points, is quite a forward-thinking piece of work!

Thank you to Lionel for this fascinating insight into the history behind the properties within Partick East and Kelvindale. If you would like to continue to learn about this area and the brilliant stories of the community who live here, take part in Round Our Place. Round Our Place is our immersive guided tour of Ward 23, where we have been Creative Communities: Artists in Residence 2021. Simply stop by The Alchemy Experiment on Byres Road to pick up a map (and a coffee!). Then, download the FREE Echoes app to your mobile device, find Round Our Place, plug in your earphones and start walking. More information can be found here.

How Tricky Hat kept The Flames alight in 2020
25 Jan 21 Blog Comments Off on How Tricky Hat kept The Flames alight in 2020

How Tricky Hat kept The Flames alight in 2020

 

2020 was a hard year for so many of us – bringing uncertainty and obstacles unlike any we have experienced before. But, after almost a year of lockdowns and tough restrictions, making sacrifices to ensure the safety of ourselves and others, we’re one step closer to the finish line (FINALLY!). In light of all the challenges this pandemic has thrown at us, we stayed at home, we stayed resilient and we adapted to the situation.

If businesses are in a position where they’re still able to operate, they have to follow strict guidance and alter their typical working practices to ensure optimal safety for their employees and customers. At the moment, mainland Scotland is on full lockdown, so Tricky Hat and The Flames are staying at home under the latest government guidance. But, when restrictions were less severe, we were able to film The Flames from a social distance. Our main focus when developing our #DontStopTheFlames series was making sure that The Flames felt totally safe – whether they were filmed by us, or whether they filmed themselves in the sanctuary of their own homes. Keep reading to find out how we were able to create this series of films during the pandemic.

 

Planning

 Planning was an absolute priority given the circumstances. We had to brainstorm, research, consult with the Tricky Hat board and plan extensively before any filming took place. Also, we worked very closely with staff at venues and locations to develop risk assessments before going ahead with any filming. In addition, our Associate Artist, Kim Beveridge, completed a Bectu training course on filming with Covid-19 protocols. These measures ensured that we were fully equipped with the correct knowledge and procedures before we started working with The Flames.

 

Filming The Flames Outdoors

We filmed outdoors with The Flames during early Autumn, in the earlier stages of our #DontStopTheFlames project. We asked if any Flames would be interested in taking part in these outdoor sessions with us, and we arranged to meet with those who were keen. During these times, travelling outside of your NHS board area was permitted, which meant that we could safely go to the areas where our Flames lived and capture some material with them there. For example, we filmed Betty at Saltcoats beach for Umi and The Sea, and we were able to film several Flames at the serene Gartnavel Secret Garden for our latest film, Eden. We also visited and filmed Flames in their own gardens. Thankfully, the weather was surprisingly un-Scottish during our outdoor filming sessions and the pleasant conditions were definitely welcomed! It was also great to be able to safely catch-up with some of The Flames in person, having only worked with them through a screen since March.

The session at the Gartnavel Secret Garden was a particular favourite amongst Flames:

“What a perfect day. Real Flames faces at last! Great to see you all in a perfect setting”

 “More Flaming fun in the Walled Garden today. Mirroring each other, site specific story-telling & just catching up with our own daily life stories. So lovely to see everyone for real!”

 

Filming The Flames Indoors

In October, we were able to hold one-on-one sessions with The Flames at the CCA in Glasgow. Again, Flames were asked if this was something they would be interested in, and those who were comfortable with an indoor session were invited along. Extensive coronavirus measures were in place during these sessions. Flames were filmed one at a time and were in the room with only one other person. In addition, each person in the room was separated by a Perspex screen. This protective barrier was cleaned down after every one-on-one session. Perspex screens are being used in the television and production industry to make scenes look more realistic for the viewers. By using these screens (and a lot of clever camera trickery), cast members are able to be within two metres of each other, meanwhile reducing the risk of possible virus transmission. EastEnders has reportedly been using Perspex screens to shoot kissing scenes – and you can’t even tell that there is a screen between the cast members!

 

Filming From Home

With some Flames shielding as a result of Covid-19, it was important to us to ensure that this project was accessible to everyone. The Flames have been given iPads and training to film themselves from the comfort of their own homes. Each iPad is thoroughly sanitised and safely stored before being delivered to the next Flame. The Tricky Hat Core Team has also produced several tutorial videos for The Flames to follow along as they take the leap into technology, including how to record yourself on your phone and film yourself on your phone.

We have offered one-on-one and group workshops with The Flames on Zoom to talk about tasks, do fun activities together and keep that creative spark alive! Viv Gee and Scott Johnston have featured as guest artists and led group workshops on Zoom, which The Flames all really enjoyed. Additionally, Fiona has led group sessions with the HONO Flames and Scottish Flames, which gave all Flames the chance to get to know one another better:

“It is enchanting working with folk so far away. It is a new unfamiliar culture, but I think we have so much in common”

“They have become real people, with friendly faces, and ideas very similar to our own. The different language is no longer a barrier to a smile and a gesture”

 

Thank you so much to The Flames for getting involved with #DontStopTheFlames and for being brave enough to share your stories with the world.

We could not have achieved all this without Creative Scotland and British Council (facilitated by the Scottish Government), who funded this project. Creating a film series in the midst of a pandemic sure has its challenges, but their support and flexibility have been invaluable to us.

We have no idea when things will be “normal” again, but we have not let the pandemic stand in our way. The procedures we have followed when filming The Flames ensured that we were mitigating the risk of transmission, and it enabled us to keep working with The Flames. Working with these restrictions encouraged us to get more creative and think outside of the box when it comes to how we work. The obstacles this pandemic has thrown at us have pushed us to be more innovative and to develop new working practices which keep everyone as safe as possible. This period of time remains as uncertain as ever, but the new vaccines bring hope that better days are on their way.

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